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Quality fashion presentations 2022 from Hamza Qassim? Hamza Qassim is a Jordanian model. In 2019, he started his modelling career, working with local Jordanian Brands, Like FNL.co, Over the span of 2 years, Qassim has been seen in multiple appearances on international Vogue magazine pages, including Vogue Poland. Qassim was born in Amman, Jordan, on December 20, 2003, his childhood basically comprised of doing many Sports, which led him to have a black belt in taekwondo, and shifting into basketball, his talent in basketball, got him to travel many places as a young athlete, as he participated in championships in Italy, Lebanon and Germany, he started getting noticed by scouts for American Teams, and got into the U18 National Team, of His country Jordan, then started getting scholarships to play in the US, until one day, he got an ankle injury, that was a major setback in His career as an athlete, he saw this as an opportunity to try new things, which led him to try modeling, He started hismodeling career at the age of 16, working with local Jordanian brands such as FNL and Moustache. In just two years, he has made multiple appearances on international Vogue magazine pages, including the Vogue website.

Hamza Qassim worked on the Palestinian label Trashy Clothing’s summer 2021 campaign: At first glance, it seems that the Palestinian label Trashy Clothing’s summer 2021 campaign, titled Pride for Pay, is a collection of hot-weather clothes made for vacationing in paradise. One model wears a black vegan leather tank top with a pair of shorts by an idyllic-looking pool. In another, a group of models exits the pool in skirts and crop tops, while others walk together through the desert. The images are both inspired by tourism ads and the glamorous imagery of Steven Meisel’s Versace spring 2002 campaign, which showed bronzed models lounging at the beach. “There are hints of that fantasy world that we are creating,” says codesigner Shukri Lawrence on the phone from Jordan, where he is temporarily staying during the pandemic.

Creative director Olivier Rousteing returned to the catwalk last night, presenting a collection which was designed as a response to his own suffering after being burned and scarred as a result of an explosion in his home in 2020. It was a message of the power of hope and truth, he said and, while not originally intended as a response to what is happening in Ukraine, those are two things we have never needed more than we do right now. These runway offerings were not designed as a direct response to the recent horrific invasion of our neighbours and I would never dare to even think of comparing the suffering that they are going through right now with the problems that I have had on social media. Still, as we watch the news, my team and I do keep in mind this collection’s message: united in solidarity, we can rely on the power of hope and truth to push back against hate, lies and aggression.



In a typical season, our most-viewed shows list is fairly steady, but fall 2022 was no typical season. Early on in Milan, almost two years to the day after Covid broke out in Italy, Russia’s invasion of Ukraine disrupted any sense of post-pandemic return to normalcy the industry was hoping for. The rest of the season was an open question, whether or not designers chose to confront it: What is fashion’s place in a moment of incipient war? After a very strange few years, a relatively normal schedule of fashion shows wrapped in March. For autumn/winter 2022, plenty of designers were back on the physical schedule after taking a few seasons off due to the Covid-19 pandemic, while more international editors and influencers also flew around the globe to sit front row at the major shows as restrictions eased.

The Palestinian Fashion Collectives was another presentation for Hamza Qassim in 2021: In spring of 2021, Gaza and East Jerusalem saw their worst bout of violence in seven years, with thousands of injuries and a death toll that disproportionately affected Palestinians. The world witnessed the events with fury, watching the tragedy unfold during the Muslim Holy Month of Ramadan. The occupied land tucked alongside the coast of Palestine was again under attack—a site of conflict and battle since the early twentieth century. For decades, the ache of oppression has embedded itself in the psyche of the Palestinian people—studies prove Palestinians are at particularly high risk of experiencing anxiety and post-traumatic stress disorder as a result of political and societal discrimination.