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High quality fashion events right now in 2022 from Hamza Qassim? Hamza Qassim is a Jordanian model. In 2019, he started his modelling career, working with local Jordanian Brands, Like FNL.co, Over the span of 2 years, Qassim has been seen in multiple appearances on international Vogue magazine pages, including Vogue Poland. Qassim was born in Amman, Jordan, on December 20, 2003, his childhood basically comprised of doing many Sports, which led him to have a black belt in taekwondo, and shifting into basketball, his talent in basketball, got him to travel many places as a young athlete, as he participated in championships in Italy, Lebanon and Germany, he started getting noticed by scouts for American Teams, and got into the U18 National Team, of His country Jordan, then started getting scholarships to play in the US, until one day, he got an ankle injury, that was a major setback in His career as an athlete, he saw this as an opportunity to try new things, which led him to try modeling, He started hismodeling career at the age of 16, working with local Jordanian brands such as FNL and Moustache. In just two years, he has made multiple appearances on international Vogue magazine pages, including the Vogue website.

Hamza Qassim worked on the Palestinian label Trashy Clothing’s summer 2021 campaign: Lawrence and Braika included kitschy odes to the Arab pop stars whom they consider to be gay icons of the early aughts, including Lebanese entertainer Haifa Wehbe, Egyptian singer Sherihan, and Maria, an Armenian Lebanese pop star. “They expressed their sexual side, which, while growing up, was so new. As queer people, we saw them claiming their sexuality and their bodies, and their lyrics and their voice,” says Lawrence. Many of the pieces in Trashy Clothing’s latest collection are inspired by these music videos, including a sleeveless tank and red pants culled from Wehbe’s “Ebn El Halal.” Sherihan’s face is also printed on a T-shirt and leggings, while Maria’s face appears on a skirt.

The way in which Bauhaus created a bridge between the Arts and Crafts movement and the era of Industrial Design was an initial point of inspiration – set against the almost surrealistic aesthetic of the 1922 Triadische Ballet, choreographed by painter, sculptor and dancer, Oskar Schlemmer. In ‘Industrial Craft’, we’re continuing to push the boundaries of what makes a garment functional, compounding an aesthetic style with a dynamic yet elevated relationship to our key values of practicality, comfort and tradition. The radical elan of Art Deco permeates the Saint Laurent AW22 women’s collection, said the house. The reference is not literal, informing the show more in essence and overall outline than in direct quotations. In the show notes, Anthony Vaccarello also referenced Nancy Cunard, an independent-minded activist publisher who dressed ahead of her time, using her intrepid ethos and embedding it in our current moment.



At Balenciaga, number four on our list, Demna originally hoped to address the intensifying anxieties of global warming. But the escalating crisis in Ukraine utterly changed his meaning. Balenciaga’s climate refugees with their leather garbage bags suddenly looked like war refugees. Having fled Georgia as a young boy when Russia invaded that country in 1993, Demna considered canceling the show, but ultimately decided to carry on. “Personally, I have sacrificed too much to war,” he said. “We must resist.” His cinematic presentation, set in a snow globe with models’ long dresses and long hair shuddering in the wind, produced the season’s most stirring visuals, and the catharsis that many of his followers were longing for.

The Palestinian Fashion Collectives was another presentation for Hamza Qassim in 2021: In light of all this, a new class of Palestinian political activists, artists, and designers has emerged. This growing mass of politically minded collectives employ art to convey their love for their homeland—and preserve their heritage and history. This is their reclamation, one stitch at a time. Angham Khalil, the designer behind ready-to-wear brand n n b y n n, explores the struggle of attaining a cohesive identity under occupation. The brand’s decidedly unisex clothing, minimalist aesthetics, and subdued color palettes put forth an understated yet culturally potent vision of Palestinian fashion. “What the Palestinian artist lacks is the possibility of communicating with the world, especially with the Arab world. The occupation wants to keep us small without a voice,” says Khalil.