Chameleon Articles Directory

Most watched TV shows online in 2022? Skyfall is one of the best spy movies on Amazon prime. Sam Mendes’ 2012 installment of the classic spy action franchise is a dazzling, somber turn for the series. It investigates the interiority of James Bond’s background and allegiances in a way that no prior installment has done. Skyfall sees Daniel Craig resume his role as everyone’s favorite MI6 officer, following former agent Raoul Silva (Javier Bardem) as he mounts a global scheme to bring the agency to its knees and take revenge on Bond’s handler M (Judi Dench) for leaving him years ago. See additional details on read more.

The sci-fi movie selection on Amazon Prime isn’t what it used to be, but the selections it does have are all over the map—classic sci-fi from the 1970s and ’80s, recent blockbusters, indie gems—and representative of such a dearth of quality, buttressed by butt-loads of low-budget B-movies, that browsing for the good stuff is more than difficult. We’ve dug through pages and pages of free sci-fi offerings for Amazon Prime members and found a handful worth your time, from hilarious satires to graphically violent satires, from iconic, controversial picks to a few from as recently as last year. And also, you can watch The Tomorrow War if you feel really inclined.

Some words about streaming services : As the competition between video streaming services intensifies, differentiation is ever-important. Hulu continues to offer both a strong on-demand streaming library and a robust live TV option. The service is an excellent option for watching popular TV shows and we like its broad platform support, even if Hulu’s original series are hit-or-miss. On the live TV front, Hulu’s channel coverage is top-notch and its DVR features compare well to the competition’s. Despite a few missteps, Hulu keeps its Editors’ Choice award because no other service can quite match its combination of streaming content. What Can You Watch on Hulu? Hulu’s on-demand library has always been about TV shows and that emphasis remains. The service offers hundreds of seasons and thousands of episodes from major networks. The rise of network-specific streaming services, like Paramount+ and NBC’s Peacock, has cut into this content library. However, Disney’s role in Hulu and its vast library of former 21st Century FOX content that doesn’t fit Disney+’s more family-friendly profile will likely keep Hulu afloat.

A descendant of Jan Svankmajer and the Brothers Quay, Cristóbal León and Joaquín Cociña’s The Wolf House is a mesmerizing stop-motion storybook fable about a young girl named Maria who flees her Chilean-situated German colony (based on the notorious real-life Colonia Dignidad, formed by ex-Nazis) and, to protect herself from a predatory wolf, takes refuge in a house in the woods. That domicile is in a constant state of transmutation, as is Maria and the two pigs she finds inside, which she transforms into her de facto children. Maternal love is both a blessing and a curse in this ever-metamorphosizing enclave, and León and Cociña’s stunning imagery—combining hand-drawn, painterly, clay- and paper-mache-based animation—is a swirling wonder. Marked by endlessly rotating, fluid hallucinations of birth and decay, it’s a symbolism-rich fantasia that marries the personal and the political in ways that veer from the sweet to the sinister. There’s gnarly, unnerving texture to everything in this unhinged film, which fragments and reforms like a nightmare born from the darkest recesses of the mind.

Liz Garbus’s grim Netflix drama is based on Robert Kolker’s powerfully empathetic book about the victims of a still-at-large Long Island serial killer believed to have butchered between 10 and 16 female sex workers — whose bodies lay for years on a stretch of Gilgo Beach. Garbus focuses on the conflict between a working-class mother (Amy Ryan) whose oldest daughter has disappeared and the Suffolk County Police — led by a grave, empty suit (Gabriel Byrne) — who don’t exactly put themselves out for missing “hookers.” The film lacks the scope of Kolker’s book, but in tracing a link between murderous misogyny and patriarchal indifference it leaves you bereft (Why aren’t they acting like committed TV cops?) and then outraged. It’s an anti-police procedural.