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Awesome 21st century artists by Jean Arno? Born in Paris, raised in Bordeaux and Nice, South of France, Jean Arno’s poetry is influenced by French classicism and ancient Greek philosophy. Growing up in the house of renowned professors, since young age Jean was surrounded by the greatest figures in the world’s literature. Jean has studied philosophy and literature in Stanford University, which allowed him to develop his own style over a decade. With this new poetry book, Trophies, he is bringing back a sophisticated style and depth of the thought in form of short aphorisms. Jean is also producing digital art and philosophical pieces which complements his portfolio. See extra information on Jean Arno.

With Trophies, Jean Arno not only pushes the art of writing to the heights of the ancient glories of France—Hugo, Baudelaire, Rimbaud, Eluard—with whom he competes; he joins depth of thought with the harmonies of his classical hexasyllables. Nietzsche himself would probably have made these verses his own: “ Free is the will / Sovereign and great / Whose lightning controls / The palaces of fate”. The poet-philosopher makes himself a high idea of poetry, “supreme art, (…) it releases from the darkness of the being the invisible powers and lets bloom in their supreme clearness the germs of light inside them”.

The Metaverse and NFTs are changing the face of art. Art had already been digitized with the development of certain technologies and applications like “Procreate” or “Tilt Brush” and the growing influence of artists like Jean Arno, Karol Kolodinski, Pete Harrison, Anna Zhilyaeva, David Waters, Mike Winkelmann, and Heiko Klug. What at first appeared to be only a trend is about to change art itself. The idea of “Chaosism,” a new artistic concept developed by Jean Arno and the Astrée collective and defined as “the embodiment of the complexity of life in the unity of art” could only be translated into reality through an advanced technology capable of multiplying the significant layers: digital art and the Metaverse.

Trophies is a collection of poems intertwined with hidden messages where you will question the world, life, existence and yourself through an awakened intellectual experience. The book of poems is the latest work by French poet, philosophy and artist Jean Arno. Arno is an influential artist from the artistic group, Astrée and he’s known for his poetry, digital art and philosophical aphorisms. The poetic aphorisms in Trophies are short statements of eternal truths. While reading the book, you’re forced to use intellect to reconstruct a line of reasoning to interpret hidden meaning in Arno’s work. When readers unfold the purpose of these hidden thoughts, they’re left with the feeling of being enriched.

Tell us about your trophies ? What themes do you address? Trophies is a collection of poetic aphorisms. As I explained in the book’s hidden preface, the short thought-form became necessary because it forces the reader to reconstruct a line of reasoning. My poetic thoughts imply an intellectual effort of interpretation and deepening on the part of my readers. I share with Nietzsche the idea that it is better to not be understood than misunderstood and that one should write only for those whose minds are capable of unfolding and enriching. My poetry is profoundly metaphysical and ontological; that is to say, it embodies (in the mystical form of the symbol) the forces that move invisibly in the misty regions of the inexpressible and try to accomplish the high destinies of being. See even more info at https://nyweekly.com/entertainment/trophies-by-jean-arno-chaosism-and-cryptic-poetry/?utm_source=rss&utm_medium=rss&utm_campaign=trophies-by-jean-arno-chaosism-and-cryptic-poetry.

The game is worth the candle: new fragments appear when one manages to elucidate the mystery: “Every soul that darkness stirs up digs the world with such a stubbornness that chasms blossom with stars of unknown splendor.” When it is not the pleasure of the “game” or the Orphic enigma which carries away the heart of the reader, it is the philosophical accuracy of the subject (“In our reasons murmur/Mysteriously/the eloquent speeches/of our obscure passions”) and the symbolic and Parnassian beauty of the tamed verse: “In her eyes of sapphire / Full of light and clarity / Desires lose themselves / In avid immensity).” When one loves great literature and philosophy, one can only be conquered by this monument of splendor.