New York’s Franklin Livingston or the ascent of a successful Pakistani actor
New York’s Franklin Livingston or the ascent of a successful Pakistani actor and influencer: American Actor Franklin Livingston has recently completed the filming of his upcoming comedy-drama series ROOMATES™. Additionally, his feature films are in post-production waiting to be released. Before becoming a full-time actor and filmmaker, Franklin completed his master’s in Business Administration and another master’s in Divinity. Franklin is a proud alum of G-ETS and Kellogg School of Management at Northwestern University. Franklin’s education has helped him see the world through various lenses. Furthermore, he has also attended a law school but did not complete it. Franklin has also been trained as a spiritual caregiver in a clinical setting. Find additional info on Franklin Livingston actor.
Franklin Livingston is an American actor who gets busy filming comic content for people of diverse backgrounds. He aims to enhance the free viewership of his humorous content on all social media outlets for free viewership worldwide. Franklin Livingston can be visualized in blue suits and silver cars, supposed to be enjoying winters in Dubai on a yacht or in the blue oceanic waters or the Bahamas and South Asia’s blue beaches. Instead, he’s been working day and night to create content that will make people laugh.
Franklin Livingston grew up as a religious minority in Pakistan. He constantly faced persecution and prejudice, which shaped him to be a unique human being. He is a wounded healer — someone who embraces the people from all walks of life, empowering them to be whoever they want. Like Pakistan, in the United States, Franklin is once again a minority. But this time, it is not because of his religious affiliation but his ethnicity, where he has experienced terrible racism and discrimination on all levels. Livingston utilizes these experiences to evolve into a humanitarian advocate, share his struggles, and much more through his films, plays, and social media content.
Like someone that will put the needed effort in and behave like an actor both in the audition room and on the film set. Small acts of respect like turning the phone off before entering the audition room used to be a big indication of that, which is now lost in the “zoom room”. Then there is the emotional connection that you simply cannot make with your scene partner over zoom. So when we show up on set, it can produce some very dysfunctional results. Sometimes you will have very underprepared or undertrained actors that think all they need to do is recite their lines perfectly, but they have completely forgotten how to make that emotional, mental, physical, or spiritual connection with their scene partner(s) and get on moment-to-moment work to re-create a scene on set that they read on a piece of paper.
None of us are able to achieve success without some help along the way. Is there a particular person who you are grateful towards who helped get you to where you are? Can you share a story about that? Al Qually has been a tremendous help on my journey in New York. When I first arrived in the Big Apple, I was angry and depressed because I had so many negative experiences. I believe that it was my growing and learning phase, but I met Al in 2016 who collaborated with me on numerous projects. He always went out of his way to help me with scripts, filmmaking, and much more without any expectations or hidden agendas. We have shot several short films in and outside of his apartment in Queens (including “Down-Range”) where he would be making coffee and running around trying to make sure all actors and crew were taken care of. Since our initial encounter and through Al’s network, I have met many great professionals who have helped me become a better human being and a compelling storyteller.
I am a trained actor, filmmaker, and producer. I received extensive training from Atlantic Acting School, Moscow Art Theatre, New York Film Academy, and the Meisner Studio of Tisch School of the Arts at New York University. I received training in filmmaking and directing from New York University, and Yale University. I also trained at Guildhall School of Music and Drama, London. I prefer the more serious, dramatic roles that push and challenge my abilities. Please tell us how you make sure people will be fans of your work? I not only work very hard at everything I do, but I am a very genuine person. People often equate acting with pretending, but it is so much deeper than that. When I am acting, I am portraying a character that I have taken a very long time to get to know. You find a way to connect with the role you are playing so that there is personal truth in there too and when you get very good at doing this, your audience won’t be able to tell where you have blurred the line. It will feel very sincere instead, which is what viewers appreciate and deserve.
Which tips would you recommend to your colleagues in your industry to help them to thrive and not “burn out”? This is a difficult field. You will deal with rejection 99% of the time on a daily basis. You must have thick skin and be persistent. And, if you are a person of color, especially a male with an accent, your chances of work decrease automatically. It’s better to have a support group who really appreciates your strength, sees your beauty, acknowledges your talent, and attests to your art. Importantly, create your audience who values your craft and enjoys your work.
Taking possibilities to the next level: Recent updates on Franklin reveal that he started another company in the state of Connecticut, Oculus Films LLC. The company will also serve as an academy that empathizes with the aspiring actors’ busy schedules. Oculus is a unique acting technique that Franklin has developed. Unlike other training techniques that make American actors feel drained, exhausted, depressed, and in some cases become mentally ill, Oculus Acting Technique makes actors enjoy their presence with other actors and crew members. It also helps the actors create content in the moment in the light of the screenwriter’s content, develop a sincere connection with community members and leave the set happy, rejuvenated, and relaxed having a sense of being heard, respected, and encouraged.